We’re working on the relationships amongst your characters on the Blueprint today. If you’re just finding this, click here for part 1.
This is another one of those that’s as easy or hard as you want to make it. Let’s just jump in.
Step 8: Character Work- Relationships
- For each character in the story, list other characters and make note of their relationships to and with each other
- List reasons why the hero and heroine should be together (goal = 20)
- List reasons why the hero and the heroine should stay apart (goal = 20)
- Are the hero and heroine bookends (peas in a pod, basically alike in some way) or salt and pepper shakers (a matched set of opposites)? How are they perfect for each other? In what way(s) do they complete each other?
- How are the hero and heroine the same? How are they different?
Obviously, a lot of this pertains to romance and others may or may not find it useful. The first one, however, if for anyone. I do it like this:
+ Dylan = love interest. She’s had a crush on him forever, but assumes he doesn’t think about her at all.
+ Kat = Joss doesn’t really know what to think when Kat starts pushing her way into her life. Kat is sort of a force of nature and Joss finds herself become friends with Kat almost against her will.
Etc. For as many characters as you care to discuss. The do the next one, and work from their point of view.
+ Joss = love interest. He’s been interested in Joss for some time, but his friendship with Marco, and what went on between Marco and Joss, complicates things. Still, he can’t seem to stop thinking about her, and is starting to feel it’s time Marco just got over it. To Dylan, Joss isn’t like any other girl. He sees her as…
And, see, when it’s romance, I could go on all day. But you get the idea.
While outlining can seem like something very dry and creativity sucking to some people, to me it’s a place to play. I do some playing in the manuscript, don’t get me wrong, but it’s a lot easier to clean up messes here than there. Sketching in all these relationships can be a bit tiresome, until you start finding things. Once you have some basics of these characters down in the Blueprint, and start writing a few lines about their thoughts and feelings for each other, putting yourself into each character’s perspective, connections start happening. New backstory emerges. Stuff you knew about the stories suddenly gets explained to you. To me, this section is always worth working through.
I don’t know where I read about the exercise with the 20 reasons. Maybe Paperback Writer. Again, this is something that’s mainly for stories with a romance. The point was that if you can’t come up with 20 things keeping your H/H apart, you do not have enough conflict in your relationship. I rarely make it to 20, but I always learn something or crystallize something in the push to get there. And, on the other side of it, you can’t go around having an H/H crazy attracted to each other over just chemistry and your say-so. I don’t care what happens in real life, we readers want more than that. So come up with some qualities and mutually fulfilled needs and crap and then maybe you’ll remember to show us those when you get into writing.
And yes, I agree that I probably just asked the same question twice in a row, as far as how are the H/H the same and different. But do you know that every time I answer it the second time, I still come up with more to say? Maybe because I’m lazy and see a bunch of words, ok that looks like I’ve done my job. No! It’s romance, dammit. You’re job’s not over. More!
That brings us to the end of this week and the end of this part of the Blueprint. We’ve discovered a boat-load of stuff. The next part of the Blueprint takes us into serious outlining. Next stop: Part 1.