You know what you need to bring your story to a conclusion, but how are you going to make that into a whole quarter of your story? Does it have to be? We’re going to talk about that and some other stuff today as we work prepping part 4 of your story. (Click here for part 1 of this series on story development.)
To answer my own question above, my personal opinion: No, your 4 parts do not have to be equal quarters and your Part 4 doesn’t have to be quite as long as Part 2 or Part 3. But neither should it be so truncated that it seems a lot shorter.
This is one of the many balancing acts we face in writing. Your final act should be that exciting thrill ride we talked about yesterday, full of jarring impacts and forward motion. But it also should not be over so quickly that your reader feels she’s just invested hours in a build-up to something that was over too quickly. That’s a risk if you move from your SPP directly to your final showdown against the antagonist. At the same time, if there’s a long and complicated sequence of events to set up that showdown, your risk slowing everything down and disappointing your reader in a different way.
I just thought I’d throw some worries at you while you think through this, because I’m mean like that. As you’re outlining, you may find that you have more scenes or fewer scenes in your Part 4 than you did in other parts. Maybe it will take you more words to describe all that action, and that will maintain your balance. Hopefully you’ll be writing your climax using the kind of exciting language that will make it a fast read, make your reader power through to keep turning pages to see what happens, and that will provide the balance you need.
What you do not want to do here, is to plan a lot after your exciting climax. Don’t you DARE make me walk back to the Shire with you. Seriously. I’ll go home with your character to see how it all worked out, to see her get her reward, but I don’t need another journey right now, and I certainly don’t want another adventure of any kind.
I’ve got my post-victory buzz on. Don’t bring me down, man.
So let’s look at the Blueprint…
Step 12: Fleshing out part 4
- What is the climax of the story?
- How do the characters come to terms with their inner demons?
- Are there any loose ends to tie up?
- What is the happily ever after moment?
Not a lot of questions to work with there, but, at this point, you don’t need them. There is nothing extraneous in your climax. It deals with setting up the antagonist and knocking him down. And to do this, the protagonist overcomes her inner demon, that thing that’s been holding her back all along. It’s her grit, determination, and what she’s made of herself through the training that living through this story has given her, that allow her to win. Not luck, not some guy (unless he’s a co-protag and she saves him right back), not some kind of out of nowhere magic. Your protag saves the day and defeats her foe. She couldn’t have done it back when we met her, but she’s a different person now. Right?
Do you have any loose ends to tie up? Any subplots that need resolving, mysteries to be explained, identities to be revealed Scooby-Doo style? Like I said above, once you’ve impacted the reader with the emotion of the win, getting to THE END as quickly as possible is usually best for everyone. Every page she has to turn after that risks diluting the emotional high she paid for in the book price and hours invested in reading.
(It’s probably obvious that I don’t believe in epilogues. Epilogues that do not advance the series are most often gratuitous frolicking in the story world for an author who just doesn’t want to let go yet. Some readers also don’t want to leave the story world and these characters, and enjoy a drama-free scene of martial bliss 9 months later or whatever. Put it on your website and give those readers a reason to check that out and look at your other projects. The only epilogue type I favor is one with the purpose of dropping a seed that will grow into the next book. Horror movies are good at that type of final scene, but then, making you uncomfortable is the point of a horror movie. And making you feel WIN! is the point of romance, IMO.)
What’s your Happily Ever After moment? You’ve just saved the world from a monstrous, soul-sucking demon from hell? What are you going to do next? This is where you give the protagonist her reward, or the clear promise of it, for all her hard work through the story. Because what’s harder than changing and growing? Sometimes part of this moment in your story is about your protagonist realizing what she’s learned and how she’s changed, especially in stories for younger readers who expect that moral of the story, -what we’ve learned from this after school special- type moment. Often stories end with a punch line. This isn’t so much a joke (although it is often humorous and further breaks reader tension) as a bit of an emotional punch, and is often particularly affected when it is seeded throughout the story in some way.
It seems like we’re done (except for writing), but I still have at least one more thing I want to talk about. Tomorrow I’m going to talk about Battling Threads in your story, and how you might consider dealing with your subplots. Even if you don’t plan to add a subplot, there are still threads of different types that weave in and out of your main action story, and it’s important not to leave them hanging or let them grow into a tangle that impedes your main plot.