I hope yesterday’s post helped you start to think through what my CP calls “The Valley of the Shadow of the Middle.” Middles are hard for a lot of writers. Today we’ll be working our way through the second half of this often desolate landscape. (If you’d like to start from the beginning, check out part 1 here.)
Part 3 of the story takes us from the MP (midpoint), which changed everything yet again by providing us with a whole new picture of what’s going on, to the SPP (second plot point), the event that will send your characters hurtling toward the story’s climactic end. Smack in the middle of those two points we’ll place PP2 (pinch point two), a reminder of the antagonistic force that’s more terrifying than ever.
Step 11: Fleshing out part 3
- How does the hero react to the Midpoint event? What’s different now?
- How does the heroine react to the Midpoint event? What’s different now?
- How do the characters take proactive action?
- How are the characters fighting their inner demons? How will you show that?
- What is Pinch Point 2? How will you show the evolution of the antagonistic force?
- How do the characters react to PP2?
- Is there a Black Moment in the sense of a break-up or break down of relations between the hero and heroine?
- Is there an all is lost moment where everything seems impossible for your characters? How do they react to that?
- How does the SPP come about?
In part 3, your protag is a different person than the one we’ve seen before. She’s not doing this for the same consequence avoidance reasons that dragged her into this mess. She’s in it now, and she’s becoming the Warrior we always knew she could be. If she could just learn that lesson, fix that skewed world view that would let her get past her inner demon, you know she’d be kicking some serious antagonist tail. But she’s not quite there yet.
So yesterday we talked about what a big deal the MP was. Something happened that really changed things in the story. How? What’s different now? How does it change your characters, and how will you show that?
Now that your characters have survived the the first half of the story, they’re hardly the wilting pansies they once were. They’re done running and hiding and trying to avoid conflict. What’s their plan of action now?
Remember how I said your protag wasn’t quite ready to win because she has to overcome her inner demon first? Remember to remind the reader about that too. Because this flaw she has is probably going to cause her problems come PP2…
Know who else has survived the story this long? Your antagonist. Remember that you’re keeping the odds stacked against your protag team and as they evolve, so does your antagonist. He’s bigger, meaner, and more bad-ass than ever. And he shows that by whooping your characters’ butts at PP2.
This may lead to an all is lost moment for your protagonist. I know I’m often very moved by those story moments in which the protagonist has taken such a beating, the odds seems so impossible, you almost want them to give up and go home, to stop taking all this punishment in a battle that seems hopeless. But that’s not who your protag is. It’s just not in them to give up (because you’ve got a fabulous climactic ending planned!), so they’re going to have to pick themselves up. Give them a story moment to wallow first, if you want to.
Note to romance writers: So much of romance now is action-oriented. Back in the day, we had a lot of historical and contemporary tales that were mostly two people moving through a story together, and much of their conflict was with each other. Today, with the huge popularity of subgenres like romantic suspense and paranormal romance, it seems wise to follow the advice of those who write in the thriller and suspense genres. But to do it with the kind of character depth, interpersonal drama, and loads of sexual tension that make romance what we love.
The “Black Moment” in romance, is something that happens that breaks your two characters apart, at least for a time. It is often followed by a “dark period” in which the characters brood separately and secretly long to patch things up. If you’re writing romance and working with this popular construction, your Black Moment and dark period will probably happen through this second half of part 3.
And now the SPP. In this scene, we turn that last corner that sends us into the sequence of events that make up your climax. In roller coaster terms, we’re at the top of the big rise, and the SPP is the thing that’s going to push us into a downhill sequence of terrifying and exciting events over which we have no control. (Ok, we do, but this is what a good part 4 often feels like for a reader.)
So what is the Second Plot Point? One way I like to think of it is as the delivery of the missing piece of the puzzle. After PP2, your characters are pretty defeated. It doesn’t seem like they’ll be able to go on. But the SPP brings some information that allows them to act. And through acting, they bring about the story’s final showdown.
And look! A middle! As someone who’s wandered the Dreaded Valley many times, there’s not much that’s more satisfying than laying out a rich middle and seeing my characters’ path running through it. I hope this helps you map out yours. And if you get bogged down and depressed listen to The Middle for a pick me up.
The last of the 4 main parts tomorrow! We’ll be filling in some of the detail that lead us to The End.