It seems simple enough, right? You already know a bunch of your characters, you’re comfortable in your world, you’ve got a solid story under your belt, and you know what you’re doing, right?
Oh, no. This is not as easy at it looks.
But you knew that, right? I mean, you’ve read enough sequels to know that getting it right is a dicey business.
Here’s my problem with reading sequels: I read them back to back. I hate waiting to find out what’s going to happen next, and waiting six months to a year?? Oh no. Lack coping skills. So yeah, I have to stick my head in the sand to avoid spoilers, especially on the big ones, but it’s a small price to pay. Equal opportunity binge-er here! I also don’t watch TV and instead wait for the entire season or, preferably, series, to be out on DVD before starting to watch the episodes back to back.
Anyway, when you don’t have six months to forget the details, when you’ve just read the book, tossed it aside, and pounced on the next one, eager to find out what happens, re-reading everything you just read is incredibly frustrating. As the ebook trend grows, as “out-of-print” becomes a thing of the past and more people are able to find all the books in a series, in order, whenever they stumble upon it, this will be an issue for even more readers.
The answer, I think, is to start each book like it’s totally new and fresh. Forget about the previous book and every adorable word you put in there, every remarkable moment you lived through with those characters that you want to reminisce about (but suggesting that they want to reminisce). The reader’s here to find out what happens now.
In the first book, when you’re starting out, you know that you’re developing a character for the reader. You’re not dumping her, her vital stats, living arrangements, most traumatic moments, and grocery list on page one. You’re doling out tidbits as you go, as they become relevant to the story.
Well book two? Same goes. The event of book one are now part of the character, part of the backstory of book 2. You know better that to dump a lot of unnecessary backstory into your book, right?
Objection, your Honor! Relevancy?
Now, in case you haven’t figured this out, this is me, talking to myself. Heroes ‘Til Curfew is kicking my butt. What I know about not bogging a story down with irrelevant backstory and useless detail, and what I seem to really want to write, are two different things.
This is way harder than I thought it would be.
I’ve never written a book two before. I’ve never completed a book one I thought was worth following up on before. So now I’m in this whole new world in which I see this whole series of books before me…
This is a skill-set that I seriously need to learn. And I will.
While I work on this, any thoughts? Advice? Commiseration? Are there book twos you’ve just thrown at the wall because you didn’t want to hear about book one anymore?