Tag Archives: fire bad tree pretty

The Next Level? What’s an indie to do?

Today I feel like my brain is going to break. Like, moreso than usual.

It all seems pretty straightforward when you start. For the beginning stuff, information is pretty abundant.

Write a book. Well, okay, I’ve read a lot about doing that. Got lots of books on the shelf, have read countless advice on the internet. Been processing all that and practicing for years. Let’s sit down and write a book. Okay, done.

Edit the book. Well, okay. I guess I can pretty much go back to those books and articles and all the practice, and hopefully come up with something readable. Okay, done.

Format the book. Hmm. Well, okay. New searches, new articles, talk to some friendly people. Seems pretty step by step. I think I can do that. Okay, done.

Publish the book. Okaayy… Read the instructions, ask a few questions of the friendly people. Click, click, okay done. Finally. Now let’s sit back and…

Oh, no. Go market that book. Oh, right. Marketing. Okay. More books, more articles, social sites, lots more being friendly. Some comfort zone issues, but also a lot of fun and rewarding. So that’s cool. And oh, look, sales are starting. Awesome!

Write the next book. Sure, okay, did that before. Oh, no wait. This is a sequel. Okay, that’s different. But okay, I can do this. Because of the reading and the practice and stuff. It’s just going to take some different thinking and some more time.

Time. Well, there’s less of that. Nothing is going right. And we need things to be just right. Plus, you know, got all this other stuff to manage. Got all these new friends to follow and get to know and remember all their stuff and want to read their books and check out their blogs, but also gotta keep learning stuff, and gotta reply to comments, tweets, emails. Don’t want to miss anyone. Need everyone to know they’re appreciated. Don’t ever want anyone to feel slighted because I can’t keep up. But my inbox won’t stop refilling itself. Is it possessed? Is all this really necessary? Of course it’s necessary. If they take the time to say something nice, they deserve a thank you. If they ask me a question, they deserve an answer. Does the answer have to be hundreds of words and take the whole morning? Well, maybe not, but I want to be thorough. These are people, and they deserve attention.   But so does my family, and my home, and that poor, unfinished book that those people are waiting for.

Waiting. Right. Two people–more?–are still waiting on interview questions to be answered and sent. Gotta get those done. How many people have I promised giveaway copies to? Are those due yet? I hope they follow up with me, because I don’t have a way to be organized with this stuff.

It’s just those emails got buried under the barrage of alerts I got, and flagged for follow-up, of places advertising my pirated book. Well, what to do about that? Just shrug it off? Say oh, that’s ok, because it probably doesn’t hurt sales anyway and maybe we’ll find a way to make us think it’s actually a good thing. Maybe. I don’t know. It seems wrong. Especially those guys who are trying to sell it for $4 and haven’t offered me a cut. So do I just ignore it? When in doubt, we have to ask ourselves: WWHRD? What would Howard Roark do?

Um, well, when Howard Roark lost control of his work, his designs, he blew up Cortland homes. So…maybe not really. Perhaps we should just go with the lesson that we should make an effort to do something, if only to say look, this is mine, I made it, and it’s not okay for you to give it away without asking me. I’m pretty generous with stuff. My photography isn’t great, but still, a lot of it’s got Creative Commons licensing on it in case it’s useful to someone. I try to blog a lot of useful stuff, information that I might have been able to compile and sell. I try to share what I can and keep back some particular things for myself. So it kind of sucks when someone takes them. I don’t think that’s okay. Not trying to start a movement, not holding a rally or screaming and whining about it. But if I believe in doing what I can to protect my own property, I have to follow the leads, find the files, find the hosts to contact, write and file the proper notices, and this is all stuff I have to learn and do. (And thank goodness I found an awesome friend who has been very generous in helping me get started learning this stuff. Even though a lot of it is still over my head and dealing with me requires a lot of patience.)

Do I want to license out some of my other rights, stuff I can’t do on my own? Umm…well, yeah, I guess so. I mean, really? That would cool. But wait. Is this for real? Is this legit? Google Google, seems okay. But…I have concerns. I need more information. But how do I ask? Is asking for more unprofessional? Will it make me look like I don’t know what I’m doing so I can be taken advantage of? Is this just how it’s done? How is it done? I have no clue, I need help.

But…no one seems to know anything. Google Google, not really getting exactly what I’m looking for. I need to talk to someone who’s done this. Ask a few indies who are farther ahead than I am. Answer: get an agent.

Well, okay, that’s an answer. That would be someone who’s done this. Someone who has answers. Didn’t occur to me that I would need an agent for what I was going to do, or at least need one in the first year with one book out. Didn’t think THAT would come up. But one of the indies I wrote to basically said, paraphrase: if this is coming up now, it’s probably going to come up more.

Couldn’t I learn to just DIY? Um, yeah, I guess. But damn, look at how much DIY I’m already not able to deal with. Having someone to help me, to not go through these mornings of Googling and trying to piece information together, to have someone to go to answer my questions, someone I wouldn’t feel like I was imposing on…that sounds pretty freakin’ good right now.

Does that make me less indie? I don’t know. I kind of don’t see how, and I kind of don’t care. For me, part of independence is that I get to decide my own crap, not have it decided by the indie purist committee because this isn’t the junior high cafeteria.

Don’t get me wrong, I’m still on the fence. After all, what the hell good does deciding to look into getting an agent do me this morning when I have this big red flag in my inbox needing attention right now? It’s not as though I’ve been approached by an agent. From what I’ve GOOGLED (omg I’m as sick of it as you are) there’s nothing for it but to start the process from scratch, as though I were going trad, with the added interest of trying to make them not see me as damaged indie goods.

Excuse me, what? Okay, let’s just skip that part. So should I add read/learn/practice the query process to my to-do and start the process politely asking, in just the right way, for the privilege of being allowed to audition for the person I’d like to hire to help me out with this? I understand, I really do, that there are reasons why the process is the way it is. But it just seems way backward to me, I don’t know if I want to get into that, and I don’t see it helping me deal with today.

Today I just want school to reopen, my house to magically clean itself, and to sit in the quiet and write my book. Write a book. Simple and straightforward, like it was in the beginning.

Should I be apologizing for the level of whining insanity self-disclosure lately? Does anyone else feel just totally overwhelmed?

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Filed under self-publishing

Fire bad, tree pretty, sequel hard

It seems simple enough, right? You already know a bunch of your characters, you’re comfortable in your world, you’ve got a solid story under your belt, and you know what you’re doing, right?

Oh, no. This is not as easy at it looks.

But you knew that, right? I mean, you’ve read enough sequels to know that getting it right is a dicey business.

Here’s my problem with reading sequels: I read them back to back. I hate waiting to find out what’s going to happen next, and waiting six months to a year?? Oh no. Lack coping skills. So yeah, I have to stick my head in the sand to avoid spoilers, especially on the big ones, but it’s a small price to pay. Equal opportunity binge-er here! I also don’t watch TV and instead wait for the entire season or, preferably, series, to be out on DVD before starting to watch the episodes back to back.

Anyway, when you don’t have six months to forget the details, when you’ve just read the book, tossed it aside, and pounced on the next one, eager to find out what happens, re-reading everything you just read is incredibly frustrating. As the ebook trend grows, as “out-of-print” becomes a thing of the past and more people are able to find all the books in a series, in order, whenever they stumble upon it, this will be an issue for even more readers.

The answer, I think, is to start each book like it’s totally new and fresh. Forget about the previous book and every adorable word you put in there, every remarkable moment you lived through with those characters that you want to reminisce about (but suggesting that they want to reminisce). The reader’s here to find out what happens now.

In the first book, when you’re starting out, you know that you’re developing a character for the reader. You’re not dumping her, her vital stats, living arrangements, most traumatic moments, and grocery list on page one. You’re doling out tidbits as you go, as they become relevant to the story.

Well book two? Same goes. The event of book one are now part of the character, part of the backstory of book 2. You know better that to dump a lot of unnecessary backstory into your book, right?

Objection, your Honor! Relevancy?

Now, in case you haven’t figured this out, this is me, talking to myself. Heroes ‘Til Curfew is kicking my butt. What I know about not bogging a story down with irrelevant backstory and useless detail, and what I seem to really want to write, are two different things.

This is way harder than I thought it would be.

I’ve never written a book two before. I’ve never completed a book one I thought was worth following up on before. So now I’m in this whole new world in which I see this whole series of books before me…

This is a skill-set that I seriously need to learn. And I will.

While I work on this, any thoughts? Advice? Commiseration? Are there book twos you’ve just thrown at the wall because you didn’t want to hear about book one anymore?

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Filed under Heroes 'Til Curfew, Hush Money, story structure, Talent Chronicles, tips, what not to do, writing