Tag Archives: indie stuff

Out of Hibernation With An Announcement

First let me say right off that no, it’s not Heroes ‘Til Curfew time yet. Sorry. And second, I miss you. Third, after an illness, I’m feeling much, much better, and I am back to work.

Click for Kindle

Ok, now that that’s out of the way, the swell announcement. I have a story published in the newly released paranormal romance anthology, Kiss Me, Kill Me.

This anthology brings together short stories from nine great indies for the ridiculously low price of 99cents. What’s more, proceeds from the sale are being donated to GreaterGood.org which is involved in literacy and children’s education along with a host of other good deeds.

While I’m just really proud to be involved in this project alongside these awesome indie authors, my favorite part is that it encouraged me to write this Talent Chronicles story which came from background/backstory details, and might never have been fleshed out had I not been going: OMG I can’t write a short story! and I have no ideas! what am I going to do?? given this opportunity.

Click for NOOK

Impulse Control brings us our first look at what it’s like inside a NIAC State School and introduces a number of characters who will be important later in the series. You’ll see what the story’s about in the description below, but here’s some extra info for you guys who like superpowers. The cast for this story includes:

  • Ethan– shape-shifter
  • Karen– telepath
  • Rand– gravity manipulator
  • Elle- fixer
  • Anderson– influencer

And now for the rest of what’s inside…

Voyage into the realm of the paranormal with this nine author short story anthology. Sink your teeth into:

A Ghoulish Valentine by H.P. Mallory:
Dulcie O’Neil can’t help her attraction to Knight Vander, much though she tries to fight her feelings. When she begrudgingly accepts his invitation to dinner and a movie, the last thing she expects is that she’ll be defending herself against a cemetery full of hungry ghouls and one incredibly sexy man.

Cat Fight by Zoe Winters:
Cat Fight takes place in Zoe Winters’ “PretVerse”. Greta is a cat therian (shifter). She’s been involved with Dayne, a local sorcerer since she sought his protection from her murderous tribe. After a fight, Greta shifts into cat form and refuses to come back out.

Impulse Control by Susan Bischoff:
In the world of the Talent Chronicles, kids born with supernatural powers are taken from their families and forced into government research facilities called State Schools. At one such school, a group of Talents must work together to stop a dangerous experiment that’s already killed two of their peers and threatens others. If they’re caught they face Detention, and Detention at a State School has a whole different meaning.

Wild Passion by Lori Brighton:
James is a treasure hunter intent on collecting a deadly, priceless statue. Then he meets Adelaide, a stubbornly beautiful and mysterious woman who knows more about the statue than she admits. Suddenly, James is tempted to give up everything for the one treasure he can’t seem to own … Adelaide.

A Fairytale Ending by M.T. Murphy:
An unlucky actress discovers that there is no good and bad when it comes to vampires and werewolves, only bad and worse.

Blind Sight by Kait Nolan:
Isla’s ability as a Seer has made her a life-long captive of a paranormal crime lord. Fae assassin, Ransom, offers her a chance at escape, but when she touches his hand she sees only blood, horror, apocalypse. What reason can Ransom have for wanting to rescue her, and can she possibly trust a man who deals in death?

The Sacrifice by Toni LoTempio:
After a chance meeting with the mysterious Alfred Barstow, Jennifer is swept off her feet by his whirlwind courtship of her, so much so that she accepts his proposal of marriage. Leaving her boyfriend Peter behind, she heads off to start a new life in California, unaware there’s more to Alfred than meets the eye – and a sinister plot behind his proposal. The Sacrifice is a story about what happens when the man of your dreams turns out to be your worst nightmare…and then some!

Until the Breaking of the Day by Daniel Arenson:
The Underground. A realm of flame, blood, and knives in the dark.When its prince returns from exile, a young demon girl will learn his secrets.

If You Leave by Stacey Wallace Benefiel:
Despite their devotion to one another, Gabrielle and Jorge have been living separate lives. That is, until Gabrielle’s life ends. Reunited and it feels so…complicated?

Other Stuff To Note:

DRM info: I can see that the Kindle edition has DRM. DRM was something I didn’t think to bring up, and of course once that’s done it can’t be changed. I would assume that the NOOK version also has DRM (I don’t actually know how to tell that from looking at a NOOK listing). If you need a DRM-free version, please go pick up the anthology at Smashwords.

Formats and outlets: Ebooks for Kindle and NOOK, and Smashwords multi-format listings are all currently available. Other ebook outlets will be coming along once the listing is distributed by Smashwords and posted by the various retailers. As far as I know, there is no intention of producing a print edition of this anthology. Hopefully, since these are just little bites, even those who haven’t fully embraced digital will be able to enjoy the ebook version.

PubIt! authors: We could use you help with something that could affect you in the future. There are nine authors on this anthology, yet PubIt currently limits contributors to five. A thread has been started on the PubIt! Help Board, letting BN know about the issue and that it’s important to us to be able to credit all authors who participate in such a work. If you’re registered with PubIt, you’re registered to post on the board. It would be great if you could take a few moments to post even something as simple as: “Yes, this is important to me too. Please fix this problem.” Just to let them know that we care about seeing this issue fixed.

Help spread the word! The usual methods apply. If you love any of these authors and the stories in this book, please help us get the word out by using the sharing buttons, tweeting and retweeting, leaving reviews, and all that good stuff. Book bloggers who need more information should contact the project’s coordinator, HP Mallory.

Thanks so much for your support. I’ll be going back into my cave now until I get a lot closer to releasing Heroes ‘Til Curfew!



Filed under books

Running At An Artificial Pace

At the top of the email it reads, “To: Susan”

These emails I get from Holly Lisle, I so often wish that I could find them and link you to them, because they’re so often very wise. And, of course they are. Holly’s been putting out great books and teaching writers for how long now?

Since I can’t show it to you and I can’t copy/paste it for you, I’ll give you the gist. Once upon a time, Holly decided, based on some extrapolation of daily page count and faulty thinking, that she would be able to write 12 books a year. An agent whom she queried with this plan shot her down, explaining that he wouldn’t rep anyone who wrote twelve books a year, because they would all be crap.

Now it is true that everyone writes a different pace, and I think that a lot of people can write more than the one or two books a year that NY will publish for you. Some people can write twelve good books a year, witness Amanda Hocking with 6 out of 12 in the Kindle top 100, last I checked.

And you know, that’s what I wanted to talk about. They’ve been talking a bunch around the indie blogs lately about what some are even calling the “Amanda Hocking Effect.” (Poor thing, I wonder what she thinks of all this.) I first heard this theory from Kait, and then the term itself a few days later from Zoe. The basic idea is that one of the ways to climb quickly and build a very excited, involved fan base is to keep feeding those fans new work. Amanda hasn’t let two months go by without a new release. She doesn’t have to worry about her fans forgetting about her, and when she comes out with something, it goes to the top of the list for those fans because they’re still reeling from the last Hocking book they loved.

So in addition to having a backlist available, feeding your readers new work without too much time lag between releases now goes into our theory about how things work.

Since that came up, a bunch of indies I know are talking about ways to do that. More short stories and novellas, the possibility of serialization. I don’t like serials. Cue Queen: I want it all, and I want it now. I don’t read many short stories. I like novels, I understand the…physics of novels, and that’s how my brain works. And yet this recent talk has made even me think about these things. I don’t know if that’s me being open-minded, or just plain wacky.

But this was all still stewing in my head when I read Holly’s email because I’m just trying to remind myself that it has to be good. I know everyone who’s thinking about doing shorts knows that. We all know that. But I needed to remind myself that it might be better to play to my strengths. There was the idea that maybe I could dash off some shorts and that would take some of the pressure off, make it easier to ask people to wait for the next novel.

And then the Gin Blossoms came in and said, Susan,

How you gonna ever find your place, runnin’ at an artificial pace?

I know, it seems odd, but people be showin’ up to tell me all kinds of stuff all the time. It’s part of why nothing gets done.

Do you know what occurred to me the other day as I read my piece on Hush Money at 6 months?

It’s only been 6 months. It seems like so much longer to me, but it’s only been 6 months. Jesus H. Washington Christ, what I have I been flogging myself for for the last few months? I’m totally new at this. I set myself an unreasonable deadline. I made a mistake. Criminy, how long am I going to make myself pay for that?

I’d guess that most trad authors get at least a year to write book 2, and probably longer than that to get it all polished up and ready to go. I dunno. It just seems like Holly was giving me a wake up call. Wake up and listen to what you friends have been trying to tell me.

The top of the email reads, “To: Susan,” and it’s like she wrote it just for me.

If you’re a writer and do not get Holly’s newsletter, please consider doing yourself that favor.

That segues pretty well into this week’s

Recommended Reading

Why I’m a Fandrew
Actually, I’m not just any fan of Andrew Mocete, I’m Fandrew #1. And if you want to see an example of why, check this out. Andrew’s writing a Love Series on his blog, about loves that have shaped him as a writer. Who gets the first spot? His wife. In a charming and heart-felt post, Andrew talks about the importance of support, how rare it is, along with some good ideas about why it’s so hard to find in My Wife: Love Series Part 1. (found because you know Fandrew #1 subscribes)

I’m a speshul snowflake too!
Ok, this is a bit of ramble, but stick with it, because it’s full of sincerity, and drizzled with beauty. It may inspire you a bit, and open up your brain a bit, as Larry Brooks so often does for me. Writers, Give the Gift of “Getting off the dime” is Larry’s answer to that every-person who casually says “Yeah, I’d like to write a book someday.” (found via subscription to the Storyfix blog)

I don’t wanna sully my art by doing what I love in any way that’s less than…
If you’re on the fence about going indie because of the stigma factor, here’s a post to think about. Another from Larry Brook’s Storyfix blog, this is a guest post by Carol Tice. (via subscription)


I’m a bit backwards this week, and I’ll admit that ROW80 hasn’t been much on my mind. I wrote a lot on the short piece this week. In both the stories I’m working I’m now at a point where I will have to break down and write an action scene on something. Damn.


Filed under Recs and Links, ROW80

The Hero Had a Certain Owenocity About Him…

Whenever you have an Oweny character named Owen, some blog titles are just moral imperatives. Nuff said.

I finished reading Monster Hunter International by Larry Correia. This book was originally self-published, then picked up by Baen, which seems to be a division of Pocket/Simon & Schuster. Excellent book. I said somewhere, while I was reading this 700+ page monster (in paperback!) that it’s not exactly romance. I really find I have to take that back. It actually really was.

What’s more, while I rarely read books by male authors because I so often find myself disgusted or insulted (and this is probably because I tried to read “classic” SF/F), I found this author delightful. Which may be a strange word to use for a fic that’s got a gun culture following due to lots of weapon specifics (and the author is so good that my eyes didn’t even roll back in my head as I read those), and is just packed with scenes of super violent, gory, monster-slaying action. It’s also well-constructed, really well-written, highly imaginative, and this guy’s got a great sense of humor.

What really endeared the book to me was the portrayal of the first-person protag, Owen Pitts. Yeah, there’s a heroic name for ya. And Owen Pitts is an accountant. He’s a big, awkward, self-described oaf of a man, who doesn’t get a lot of chicks, and, in the absolutely fabulous opening scene of the book, is unhappily working as an office drone for the nightmare boss that most of us have felt we’ve had to put up with at some point. And then he throws the boss out of a window.

But he had a really good reason. Trust me.

The character of Owen is brilliantly done. He’s confident in the skills that he has, but not proud, in the sense that he would brag about them. Because a lot of the things he can do haven’t been doing him much good. His military vet father trained him up to be a great shooter, and Owen loves the hobby, but that’s all it is. He’s a good brawler, and while that earned him some cash in the past as a bouncer and at other things, it seemed to be more bad than good and he’s trying to put all the violent stuff behind him. So he sets about trying to use his brain, and he’s very smart, but then he ends up in the shitty job with the shitty boss from Hell. And all this makes for a character who’s not dark, damaged, and tortured, but sees himself as tends to see himself as sort of socially awkward and oafish, pushed around by life in general.

My Mary Sue warning sirens were going off like anything (not that I’d want to have to call this big guy with all the hardware Mary Sue). He’s got all these skills, and some pretty interesting stuff starts happening to him–this thing was obnoxious wish-fulfillment waiting to happen. But it did not go there.

Instead, the author kept it fully in check. Kept the hero challenged. Let him make bad decisions. Let him fail. Let him want to curl up and die after a hard workout, and have to stand there, trying not to throw up, while talking to the girl he liked. Somehow, as badass as Owen kept becoming, as his importance to the events of the story kept building, he managed to keep both the confidence he needed, an amount of self-doubt and anxiety that made sense, and a humility that made him endearing all the way through.

Probably the most endearing thing for me, though, was the way he thought about his love interest. This guy showed so much respect for his lady that I wanted him to date my daughter–not now when she’s six, but you know. When his ardor for her increased, it was never due to the way her boobs wanted to spill out of the barely there dress she was wearing. It was because of things like courage, competence, brains. (Kind of like “just the way you look tonight” except “just the way you wielded that spear against the undead.”)

Suffice it to say that I really enjoyed it. This book was a great package, a book outside my usual reading zone that delivered on a lot of levels. Recommended.

Now this is interesting. I carried this paper monster around in my purse for the last few weeks–which really shows my devotion. Since it wasn’t even on Kindle, I figured it wasn’t available in E (plus, we had the paperback in house, so it was easy to pick up). While investigating for this post, I FOUND E! Not only did I find it, I found in cheaper than paperback, in multi-format, and they seem to be DRM-free–at least, I was able make sure the EPUB I downloaded would convert for future unknown device. Everything we want. Plus PayPal option. (Yes, you’ve figured out that even though my husband had already bought the paperback and I’d already read it, I had to buy it again in eformat. Is that wrong?)

The only drawbacks I see are that they play this subscription thing out so that you have to wait until they’re done serializing a book before you can read it as a whole. I don’t even watch TV series that way, so hopefully that’s more a sneak preview thing that comes before the actual release. The other is that they don’t also sell the books in e on other sites–like it’s not in the Kindle store–and I think that’s a big loss of browsing customer sales for their authors. I just stumbled across this because I was looking for info about the author, and that only because I had heard he was an indie-to-contract story. At least now I know that if I’m intrigued by a Baen-published book, I can probably actually buy it instead of going through the library. Yay for that! /tangent



Filed under Superheroes, Heroism, and Romance

Hush Money: 6 Months and 10,000 copies

I’m a real boy!

As I begin this post, a few days before it will go live, days before Hush Money turns six months old, I’m still looking at the number on my spreadsheet. Marveling at it. Recording the numbers from the previous day is usually one of the first things I do in the morning. Seeing how many potential readers I gained overnight is generally a pretty awesome way to start the day.

So let me tell you why I’m posting this, even though I said I wasn’t going to share numbers anymore. Let me tell you why this is a special occasion.

Deciding to self-publish isn’t easy for most people. Even for someone like me who was more or less “it’s indie or nothing” because I didn’t feel like I wanted to get involved in the traditional industry, even for someone who believes in the tremendous potential of independent publishing, etc, etc, it was hard. It was hard to get over that concern of being called a “fake author.”

Now I’m a nice person (right?) and probably,  hopefully, no one’s going to say it to my face. But they’re out there, saying it, saying it about us. And even if it’s not directed at you, you know, you still kind of carry that.

You ask yourself, “Am I going to regret this use of a manuscript that I believe in so much? Am I going to wish I would have at least tried to shop it in a traditional manner?”

So something I did was I picked a number. (You may not agree with my number. You don’t have to. It’s MY number.) They say that many books don’t earn out their advances. I looked around and figured my advance as an unknown would be $6k. I had read that with a standard royalty, authors generally earned about 64cents per copy. So… 10,000 x .64 = more than a $6,000 advance. And that’s how I picked the number of books I wanted sell by the time Hush Money was 12 months old.

That was the number of books that would make me know that I wasn’t a fake author. Because sometimes, the hardest person to convince is yourself.

Now there will be some people who will come across the post and say, ten thousand copies in six months? Why are you even bothering to mention that? Have you seen the cavalcade of stars Konrath has been parading on his blog?

Yeah, I have. And I admire those authors. I’ve loved reading their stories. They’re selling more in a month than I have in six, and I couldn’t be happier for them. They’ve earned that. Maybe when I’ve earned that, I’ll get there too. But this post, this goal, wasn’t about out-performing anyone else. This is about me, something I hoped to get for myself, and how incredible it is to not only pass that mark, but to do that in half the time I thought it would take. No one else’s success takes away from that.

(Dudes, every time I write else’s–and I do that a lot–spellcheck hates me. Is that not a word?)

So that’s where I am today, feeling like Pinocchio, Version Shrek 2, flying through the air yelling, “I’m a real boy!” and waiting for something to strike and turn me back to wood.

Meanwhile, I owe you a ROW80 update, so here it is:

My goals were to spend at least an hour a day in my world and write at least 3 scenes per week.

I’m still spending lots of time in the Talent Chronicles world. Not a problem. I’ve written a number of scenes and thousands of words.

There was a time, not so long ago, when I wasn’t writing. But I wasn’t terribly worried about that. I said that when I was ready to write, I would write, and the words would come. And that was pretty much true.

Something happened this fall as I worked, or didn’t work, on Heroes ‘Til Curfew, as I let my mind fill up with the personal problems that cropped up, and then tried to squeeze in a brand new full-time career as an indie author in on top of that. I tried too much, pushed too far, and pushed those words right out of my head.

I know that there are a lot of people out there waiting. I value all those readers (I know there should have been a paragraph above thanking all the readers and friends and stuff, but if you guys don’t know by now how grateful I am, then I just don’t know what to with you!), and I’m sorry to have to keep saying that it’s just not ready, and no, I don’t know when it will be. But I do know that since I really owned that, since I made up my mind that it’s okay for me to say that and to work on my own schedule, it has been so much easier.

My ROW80 update for this week is that I’m finally starting to feel like when I’m ready to write, the words will be there.



Filed under goals, ROW80

On CreateSpace

On my to-do list for some time has been to talk to you a little bit about print, how I came to choose CreateSpace for that, and my experience with it so far. Hopefully this will be just an overview and informative while mercifully brief.

Question #1: To print or not to print?

Print! Yes, ebooks ARE the future. I buy digital whenever possible, don’t even like to buy paper books anymore, and I absolutely believe that’s where we’re going. But I also understand that I am not Jill Every-Reader. While more and more people are trying out ebooks and embracing them every day, there are still plenty of people who prefer paper, or who are simply not ready to take that plunge.

For me, print is about customer service. If I were running a retail store (which I have done), part of my job would be to stock the types of products my customer wants and needs. I know from experience that customers can get pretty peevish when you don’t supply what they want. If it’s within my power to give my customer the type of product that best suits their need, why would I not do that? This is as true for providing both print and ebook formats as it is for providing your customer with a variety of file formats for various devices.

Question #2: DIY or Author Services Company?

I think of Author Services as those companies that offer to do this for you. Names that come to mind are AuthorHouse and Xlibris. Companies like CreateSpace and Lulu also offer author services packages in addition to the DIY stuff. This is something you’re going to have to answer for yourself. For me, and most of the indies I spend time with, it’s DIY as much as possible. We simply don’t have the money to shell out hundreds of dollars for someone else to do this work, and it just doesn’t have to be a big deal.

In fact, I think that, especially when you’re talking about fiction which is primarily text without images, print can be as simple or as complicated as you want to make it. A simple print edition is no harder than formatting for e.

I have read some scary-ass things put out by Author Services Companies. I’m not saying they’re all charlatans, and I’m sure that some of them provide great service which the authors feel is worth the price. I get that they need to make their services sound important, worth the price they’re charging, etc. I have seen some claims that lean toward un-truths, and some really bad “science” when discussing sales numbers. If you’re going that route, beware. Read a lot. And keep in mind when reading testimonials that many people have a need to justify their own choice, sometimes by making it seem better than it is.

Question #3: Which company should I choose?

Keep in mind from this point on that I’m talking about my thought process, my choices, and what works for me. Your mileage my vary. Because we’re obviously going to talk DIY, the conversation usually comes down to three: Lulu, LSI, or CreateSpace.

I’m throwing out Lulu right off the bat as too damned expensive. A big part of the decision-making process for me was: how cheaply can I sell my book? Answer from the Lulu calculators? Not cheaply at all. In just the manufacturing costs, the exact same edition I got from CreateSpace prices out 70% higher on Lulu. (To be fair, I have to say that they price out about the same, except that I’ve added an option to lower my CS price, which I’ll talk about later. As far as I know, Lulu could have something like that, but I don’t know.) Lulu has more format choices (coil-bound, hardcover), but for fiction and a first novel, I don’t see any need to get fancy.

LSI (Lightning Source) is favored by many indies as the most professional way to go. And likely it is. It certainly seems moreso in the way they don’t put a lot of information on the website and expect you to do a lot of talking on the phone. (Oh yeah, you know that’s an issue for me.) Most of going with LSI is about having more options and maintaining ultimate control as the publisher. The trade-off in that seems to be having a somewhat more complicated process with a bit more to learn–although I’m not sure because I haven’t actually worked with them, and shelling out a good deal more up front.

ISBNs and ownership are an issue for some indies. They want to have their own imprint, to have everything in their own name, they have their reasons and they’re willing to pay for that. I’m not right now. Unlike the other options, LSI doesn’t offer free ISBNs and requires you to set yourself up as a publishing company. And while that may look really spiffy, I’m just not into the added hassle right now.

LSI has other initial costs that are greater than CreateSpace. I don’t know if the books cost appreciably more like they do at Lulu, again because LSI isn’t upfront about that stuff. I do know that most of the LSI books I’ve seen are priced higher than mine, but then, most of the books I’ve seen are priced higher than mine.

LSI has some other benefits with regard to distribution and you can find people talking about these all over the web. Most of them don’t apply to me as a beginner, and those benefits don’t outweigh the added hassle and expense.

After I have progressed in my career, if I feel I need to have an LSI edition, there’s nothing that says I can’t go do one later. I still own all my stuff, right?

My choice was CreateSpace and I’ve been very happy with it. And since this is running long, I’ll try to just bullet the pros and cons for you.


  • No up-front cost. Nothing. You can go print your book with CreateSpace today for free. Free ISBN (but you can bring your own if you’re into that), no setup fees. We like free.
  • ProPlan- Lowers your cost. You’ll want to add this. It’s an up-front cost of $39.00 (for each book). For this you get a lower manufacture cost which allows you higher profits and/or the ability to lower your retail price. Since you pay the manufacture price for any copies you personally buy, this will pay for itself pretty quickly in your copy for your mom, giveaways, review copies, and the ones you sell out of your knitting bag to sweet people who are just excited to meet someone with their name on a shiny cover.
  • ProPlan- EDC: Just as important, this gets you into the Expanded Distribution Channel which I believe gets your book into Baker & Taylor (but I don’t think into Ingram and I cannot find that info). Don’t get excited. This does not mean B&N is going to order your book to stock in their stores. They probably won’t, even if it’s doing well. I’ll discuss that in the Cons. But it will allow your book to be listed at B&N’s website, at Book Depository (which has free international shipping), and allows registered booksellers (like your local indie bookstore that carries books by local authors) to order your book at wholesale prices.
  • You will find VS. posts around the internet that talk about CreateSpace books not being able to get into Baker & Taylor, not being available to resellers, etc. Be advised that the EDC is a new program, so check the date on those posts when you’re doing your research.
  • Oh! You should also know that renewal of ProPlan is only $5 per year. My annual fee was waived in December, I assume because my book was out less than 6 months. I believe LSI does charge an annual fee to list your book in its distribution network. I read somewhere that it’s around $13, but that may be old or inaccurate info.
  • Easy as print as PDF. Really. That’s all there is to it. Now, getting that PDF just right might make you pull out a few hairs, but you don’t HAVE to get super fancy in your layout to produce a good book. MOST people don’t care about fancy book interiors. What’s important is that your book is readable. With a little thought and care, you can do that. You did it with e, you can do it for print.
  • It’s pretty fast. Once you’re done with your part and you upload your book, it take a few days for them to review it. They’re not proof-reading it for you, but they are making sure you have the right margins, stuff like that, and that nothing’s going to get cut off or anything. After that, you order your proof copy for the price they’ve quoted you as your cost. From my limited experience, I’d say expect to pay about the same amount as your book’s cost for media mail which generally takes a 7-10 days unless it’s a busy season. Expect to pay exponentially more for expedited shipping options. Once your proof is in-hand, all you have to do is log on and say yes! I approve! Go sell that bitch! And then it goes live on Amazon pretty quickly, like within a day or two, if I recall. Other sites will pick it up eventually.
  • Low cost means low price. You know how I feel about low consumer prices. CreateSpace, and some fudging with fonts and layout stuff, allowed me to put together a book that sells for $8.99, the same as what the mass-market price seems to be right now. Not being more expensive than my vetted counterparts is important to me.


  • Borders doesn’t list it. I’m at the point of thinking this is more Borders’ problem than mine. I mean, It’d be cool if they would pick it up and I could sell a few more, but whatever. I don’t think I’m losing that much by not being at Borders.com. They’re losing more by not embracing indies in general, that’s for sure. Anyway, I think this may be because I’m not in the Ingram catalog, but like I said above, I’m not sure about that.
  • This edition will probably never be in the brick and mortar chain stores. Doesn’t matter who it’s listed with, CreateSpace does not allow you the option of making the book returnable. Essentially, the bookstores want to order a bunch of books, put out a few for however long they decide to try them out on the shelf, then box them up and send them back for credit. So think about it like this: maybe one day you have orders for a couple hundred or a couple thousand books. Awesome. And then in six months you find that all but six copies were returned. And all the “profits” you’ve been waiting on, that couldn’t be distributed to you because they’re held against possible returns, are now gone, and you get a check for $3. Possibly it’s better to have loved and lost, and certainly I’d like the opportunity to be browsed in the chains, not saying that wouldn’t be a great thing. Just it’s hard to work up a lot of upset about it, and the hassle/expense vs. potential benefit ratio just isn’t impressing me right now. (Ok, who am I kidding, if B&N calls me up and tells me they want to stock my book, my laptop and I will be on Zoe’s doorstep begging her to help me put together an LSI edition ASAP. I will bring a Firehouse Sub to get me in the door. I’m crafty that way. But I just don’t see as a likely scenario right now.) I know there are people who go with LSI for reasons of ownership who still don’t want to exercise the option to make the book returnable.
  • I’m not the publisher. Like I said, I don’t really care about that at this point. CS puts their name on it. I think this may be because I went with the free ISBN, and I think it might also be a requirement of expanded distribution.

I think a lot of the point is that I’m happy with CreateSpace because it was cheap and easy for me to just get it done now without adding fees I couldn’t afford or stresses I don’t need. If I get to the point where it’s no longer the right choice, I figure I can go with something different at that time, when I’ve grown into it.

Sorry about the lack of merciful brevity, and I’m going to continue for a bit because indies like numbers. It’s been absolutely worth it for me to put out the print edition. Extra costs for me were $80 for the rest of my cover and a new title page from Robin (a title page I also put in my e after that), and the $39 pro plan from CS.

I make 5xs more in royalties on Amazon than I do when I have sales through the EDC. Which is fine. The royalty from EDC sales isn’t much less than I’d get from a standard royalty if I had a trad publisher. So I’m not really losing anything, I’m just getting 5xs more from Amazon. Since I put the book out at the end of September (actually 4 months exactly from the day I’m writing this. Print was several weeks behind the ebook version because I thought it would be harder and I was learning a lot of stuff at once), I’ve sold 45 copies through Amazon and 38 through EDC (most of those I believe are via B&N), for a total of 83 paperbacks. I’ve pretty much just cleared my expenses. And that doesn’t count any of the ones I sold to local acquaintances. Having print also gives me something more to offer as a giveaway, which is nice, as people seem to get more excited about a $9 item than a $1 item. Go figure. And it’s cool to know there are people out there who are actually willing to pay that much to read my book. Yay!

So, in conclusion (finally), totally worth doing, really happy with CreateSpace as the cheap and easy alternative, and looking forward to reaching over 150 paperback sales soon so that I can rub Brad’s nose in it. I’d love to hear your experiences, addendum to this info, and will try to answer questions in the comments. Hope this was helpful.



Filed under self-publishing

#ROW80 and Thoughts on Blogging

So life here is slowly returning to what passes for normal. Last week wasn’t terribly productive as I had a lot of catching up to do in a lot of areas and needed a lot of staring dumbly at the wall time. If you have little kids and a low tolerance for chaos, you know what I’m talking about. But things are better now and this week I found myself faced with the fact that I REALLY have to actually work.

This resulted in a lot of procrastination. But since I had decided to give myself a freakin’ break all around, I was able to allow it to be productive procrastination. I think that when I decide I have to work on JUST THIS AND NOTHING ELSE BEFORE THIS, I end up with more stress and less productivity overall.

I’ve recently been spending more time on my blog. I’m always going around in circles about what I want to do with it and getting it “right,” and like you really care. But I finally came around to some ideas of things I want to cover. I do want to talk about writing and self-publishing because most of you who visit on a regular basis are interested in those things, and often seem to appreciate those posts. Even though they aren’t things that readers are into, and even though they’re not the kind of thing that would draw a reader in or get her to subscribe to the blog, I have no doubt that sharing my experiences and opinions about what works has earned me a lot more support than I can measure. So I’m going to keep up with the posts about writing and self-publishing.

I’ve been trying to blog too frequently, I think, and I just write up a post when I think about it and hit Publish. Now I’m hoping to jump in and write up that post and hit Schedule. And keep those writerly posts for Mondays. Maybe that will keep it from being so feast or faminey around here.

I do absolutely agree with Kristen Lamb–and how can you not?–that readers don’t want to read about writer stuff, and the way to attract readers is to talk more about the kinds of things that readers like in your fiction. Well, it’s easy to get caught up in that expert knowledge trap we talked about the other day. I’ve probably mentioned before that I was caught in that for a long time with regard to the Talents. There’s that bit of wisdom, and it is wise, that says you need to read a lot in the genre you want to write in so that you understand the rules and reader expectation. So I thought that to write about superheroes, I needed to become an expert on comics. Even when I put that aside, I still felt under-qualified to blog  about superheroes on a regular basis.

Just like it was hard to blog about writing before had a book out there to point at and say hey, here’s how I put this into practice. Lately I’ve come to realize that my best posts aren’t the ones where I try to be an expert, they’re the ones where I really personalize what information I have to offer, wrapping it in my own perspective, and feeling less like it’s my turn to stand in front of the class for the oral report and more like we’re all sitting around getting caffeinated and I’m the one sharing for a few minutes before the really hot guy painting the storefront across the way takes off his shirt and I lose your attention.

So in the one day a week reader-oriented (hopefully) posts, I’m talking about what I love in fiction: superheroes, heroism, and/or romance. Those are the things I tend to pay attention to when I read or watch. This may lead to me feeling like I’m reviewing some stuff, which I don’t like to get into, but I’m more trying to think of it as discussing my perspective on a particular facet of the fiction in question, and if I have to include a paragraph or two to gush or whine about the overall fic in general, well, you guys are used to OT babble, so…

We’re in ROW80, and rounds of that are planned throughout the year. So I’m also looking at two more days on the blog for updates. On Sundays, I’ll be combining my update with list of recommended online reading for the week. I don’t have time to read a whole lot of blogs, but sometimes something really stands out and you just think others should read it or might enjoy it. I keep a file on my desktop to make note of those when I read them.

Wednesdays, in case you haven’t figured this out, are for me to be even more self-indulgent than usual. A free day to include in the ROW80 update whatever happens to be on my mind, or not include anything else at all. Today the bloggy stuff is on my mind, along with the fact that our bus driver just told us she’d be coming over 45 minutes earlier starting tomorrow which is going to add more time to my work day (good) and cause less sleep, more morning stress, and take some getting used to (bad). Anyway, a me me me babble day. Witness the babble.

So back to the update: This week’s productive procrastination has allowed me to try out the schedule I had tentatively set for myself, and I now have posts for my topic days scheduled through Feb 4. I’m still spending a lot of time on writing blog posts. I posted the schedule, tinkered in my sidebar a little, gave some thought to what people are looking for when they come to the site, if they can find it, what I’m trying to present and what they see, etc, and I’m pretty satisfied with what I have right now.

Goal #1 has been to spend specific amounts of time on the work. Recently I’ve been suck and fail at that, but I didn’t change my goals because it wasn’t about scoring, it was about continuing to strive for that. This week I’ve been excessive as far as time spent working on problems in the Talent Chronicles world and in Heroes ‘Til Curfew specifically.

Goal #2 has been 3 scenes in Heroes per week. I wrote the first of those three yesterday. I also finished listing everything that was supposed to happen from here forward so that I could identify all my holes and logic problems. A loose outline that allows room to move around is important. But it is amazing to me how it can seem like a solid story and then you get to that part and it’s like–well, that doesn’t really make sense. Why would he do that? Why wouldn’t she just…

Meta-humans are fascinating, but their abilities cause all sort of dilemmas.

So I’ve made copious notes and written all my WTF? questions in pink, and hopefully I’ll be able to draft some of my buds to help me kick ideas around this week because talking things through with someone else really helps me focus, and I often lack focus even though there are no shirtless painters in my neighborhood.

Today’s ROW80 Linky.



Filed under me me me, ROW80

The Joy of Being Indie

How long have you spent preparing for your life?

A big part of what I remember about school is being bored, doing work I wasn’t interested in and couldn’t care about, and wanting so much to get out and do and be. And so much of that time, I was being told to be something else. That the things that interested me were so competitive that it wasn’t likely I could ever be successful. Either that or just altogether not worthy of pursuing. What I should do is work harder, get better grades, get into a good college. Why, with my test scores, I could probably be a doctor or a lawyer if I applied myself.

Dudes, have you met me? Read the posts from the last few weeks. I think it takes a little more than brains to be doctor or a lawyer and I ain’t got it.

Outside of the college route, I was told that to be a writer I should go to NY and work for a publishing house. I’m a social phobic. I couldn’t even walk into a restaurant by myself. No way was that going to happen. What I wanted to do was stay where I was, continue in my fabric store job, marry my boyfriend, take in sewing on the side, work on my writing, and just see what-all happened.

And then that pesky National Merit Scholar thing came up, a college offered me four years of tuition, room and board, and a stipend for books, while my friends who actually seemed to want to go to college were scrambling and scraping for funds. Well damn.

I did 4 years of hard time in the frozen wasteland of Western NY. I got a Bachelor’s in Psychology. It didn’t help.

At some point during that time I found out that I was going to have to go to school for another EIGHT years, and God only knows what else before I could sit in a quiet, comfortable room for one-on-one, 50 minute chats, which is what I thought you did with a psych degree. It’s not. It’s what you do with a doctorate. How did I not know this? I don’t know, I was a kid. But that was so not happening.

I went to work in a sweatshop with 200 people who didn’t speak English. There were maybe 5 of us who did at any given time during the 5 years I worked there. We made polo style golf shirts. It’s the kind of thing where you learn one little piece of the process and you do that same bit hundreds of times a day for a few cents per piece. I loved the challenge of that. And then I loved the challenge of learning every operation that went into putting that product together. It was hard work in crappy conditions, but I was young and I was making money at the sewing machine, something I had been told was not a career option.

Yeah, ok, so that was part of it. I’m a rebel and I’ll never, ever, be any good. Sue me.

Besides that, I was alone all day. Alone in a room full of people, machines, and noise. But I didn’t have to interact with anyone for 95% of the day, all I had to do was sew. And my brain was my own. Finally. I could read audiobooks (remember that part where you got out of school and realized you could read anything you wanted to??) or I could just be and think about whatever crazy story I wanted to think about, for eight hours a day, and I got paid for that.

To keep this from being the story of my freakin’ life, I’ll fast forward over carpal tunnel, design school, more retail, and a lot of other crap. We’ll sail years into the future to the point where I’ve retired from my non-career and am at home with a baby, having now achieved a bunch of life goals, and feeling again that need to do and be.

I don’t know why it so often takes me 600 words or so to get into the meat of my posts. I found Etsy and I decided to try something I’d wanted to do for years: make and sell doll clothes. You know how crafting used to be? It wasn’t realistic to try to sell handmade Barbie clothes through traditional crafter venues. But I could sell some on Etsy. It was fun. Some people bought them. And they wrote to me and thanked me.

Would you believe that never happened to me in all the years I had ever worked my ass off for someone else?

I did what I loved to do, people gave me money, and then they said Thank You.

And then a friend said that my skills were worth more than what I could get for Barbie clothes, but people were paying at least three times that much for Blythe clothes. So she sent me a Blythe. And I made some clothes. The Blythe market was getting pretty competitive at the time, and I sold a few things, but no real success. Until I decided to smock.

My Smocked Valentine, the first smocked dress I sold on Etsy

It was an experiment. I sat down with 28 Days Later, because I was working on ideas for a zombie story of sorts, and this was in the days of baby napping time, and I smocked myself a tiny little dress. I was very proud of it. I had the audacity to price it at $23.50, so I was actually as afraid to put it out there as I had been when I first listed at Etsy. (Don’t ask me what I was afraid of. I really don’t know.) I called it My Smocked Valentine because it had hearts, it was the end of January, and I hoped the title would encourage someone to buy it before the end of February.

The freaking thing sold within 10 minutes.

One of my most elaborate designs, "The Spider" had to have its own video.

Every dress I smocked sold within minutes, even though I raised the prices and most of them were between $40-$50. People LOVED my work. They made special requests. They queued up in a seemingly endless special order line just to get one. I LOVED what I was doing. People gave me money. And they thanked me lavishly.

But you guys don’t care really care about dolls and their overpriced couture, so why am I telling you this?

Because it’s been the same thing with the book. Just like I found my niche in a fairly competitive market on Etsy, a lot of putting out a book is just about just getting the damned thing out and then waiting for your customers to find you. I put off, for so long, just freaking doing it and putting something out there. Because I was afraid of the process, because I was afraid of rejection, etc, etc, etc. Second verse, same as the first. And every day it’s out there, it just brings more awesome.

When I got out of high school, I wanted to create things. I wanted to write and I wanted to sew. It’s taken me twenty years to make this leap into finally doing what I really wanted to do in the first place. To get to this place where I know I can make money doing what I love, and where people go out of their way to thank me for it. And maybe I needed all that time to learn and to practice, and for technology come along to help me out. But maybe not. I’ll never know because I didn’t really try.

Part of the point of this post is that I’m finally in a good mood today, and those of you who have slogged through my whiny dramatic crap of the last few weeks really deserve some happy happy sunshine. It don’t happen that often, so soak it up, people.

If you read my blog because you’re thinking about getting back to writing, because you’re thinking about finally finishing that book, or you’re thinking about going indie, just freakin’ do it. If you have a dream, give it a chance. Don’t let being scared make you put off your life. Because there might be good things down that road, and awesome people who smile at you around every corner. That’s how it is in my world, and I appreciate you.



Filed under insecurities

The Next Level? What’s an indie to do?

Today I feel like my brain is going to break. Like, moreso than usual.

It all seems pretty straightforward when you start. For the beginning stuff, information is pretty abundant.

Write a book. Well, okay, I’ve read a lot about doing that. Got lots of books on the shelf, have read countless advice on the internet. Been processing all that and practicing for years. Let’s sit down and write a book. Okay, done.

Edit the book. Well, okay. I guess I can pretty much go back to those books and articles and all the practice, and hopefully come up with something readable. Okay, done.

Format the book. Hmm. Well, okay. New searches, new articles, talk to some friendly people. Seems pretty step by step. I think I can do that. Okay, done.

Publish the book. Okaayy… Read the instructions, ask a few questions of the friendly people. Click, click, okay done. Finally. Now let’s sit back and…

Oh, no. Go market that book. Oh, right. Marketing. Okay. More books, more articles, social sites, lots more being friendly. Some comfort zone issues, but also a lot of fun and rewarding. So that’s cool. And oh, look, sales are starting. Awesome!

Write the next book. Sure, okay, did that before. Oh, no wait. This is a sequel. Okay, that’s different. But okay, I can do this. Because of the reading and the practice and stuff. It’s just going to take some different thinking and some more time.

Time. Well, there’s less of that. Nothing is going right. And we need things to be just right. Plus, you know, got all this other stuff to manage. Got all these new friends to follow and get to know and remember all their stuff and want to read their books and check out their blogs, but also gotta keep learning stuff, and gotta reply to comments, tweets, emails. Don’t want to miss anyone. Need everyone to know they’re appreciated. Don’t ever want anyone to feel slighted because I can’t keep up. But my inbox won’t stop refilling itself. Is it possessed? Is all this really necessary? Of course it’s necessary. If they take the time to say something nice, they deserve a thank you. If they ask me a question, they deserve an answer. Does the answer have to be hundreds of words and take the whole morning? Well, maybe not, but I want to be thorough. These are people, and they deserve attention.   But so does my family, and my home, and that poor, unfinished book that those people are waiting for.

Waiting. Right. Two people–more?–are still waiting on interview questions to be answered and sent. Gotta get those done. How many people have I promised giveaway copies to? Are those due yet? I hope they follow up with me, because I don’t have a way to be organized with this stuff.

It’s just those emails got buried under the barrage of alerts I got, and flagged for follow-up, of places advertising my pirated book. Well, what to do about that? Just shrug it off? Say oh, that’s ok, because it probably doesn’t hurt sales anyway and maybe we’ll find a way to make us think it’s actually a good thing. Maybe. I don’t know. It seems wrong. Especially those guys who are trying to sell it for $4 and haven’t offered me a cut. So do I just ignore it? When in doubt, we have to ask ourselves: WWHRD? What would Howard Roark do?

Um, well, when Howard Roark lost control of his work, his designs, he blew up Cortland homes. So…maybe not really. Perhaps we should just go with the lesson that we should make an effort to do something, if only to say look, this is mine, I made it, and it’s not okay for you to give it away without asking me. I’m pretty generous with stuff. My photography isn’t great, but still, a lot of it’s got Creative Commons licensing on it in case it’s useful to someone. I try to blog a lot of useful stuff, information that I might have been able to compile and sell. I try to share what I can and keep back some particular things for myself. So it kind of sucks when someone takes them. I don’t think that’s okay. Not trying to start a movement, not holding a rally or screaming and whining about it. But if I believe in doing what I can to protect my own property, I have to follow the leads, find the files, find the hosts to contact, write and file the proper notices, and this is all stuff I have to learn and do. (And thank goodness I found an awesome friend who has been very generous in helping me get started learning this stuff. Even though a lot of it is still over my head and dealing with me requires a lot of patience.)

Do I want to license out some of my other rights, stuff I can’t do on my own? Umm…well, yeah, I guess so. I mean, really? That would cool. But wait. Is this for real? Is this legit? Google Google, seems okay. But…I have concerns. I need more information. But how do I ask? Is asking for more unprofessional? Will it make me look like I don’t know what I’m doing so I can be taken advantage of? Is this just how it’s done? How is it done? I have no clue, I need help.

But…no one seems to know anything. Google Google, not really getting exactly what I’m looking for. I need to talk to someone who’s done this. Ask a few indies who are farther ahead than I am. Answer: get an agent.

Well, okay, that’s an answer. That would be someone who’s done this. Someone who has answers. Didn’t occur to me that I would need an agent for what I was going to do, or at least need one in the first year with one book out. Didn’t think THAT would come up. But one of the indies I wrote to basically said, paraphrase: if this is coming up now, it’s probably going to come up more.

Couldn’t I learn to just DIY? Um, yeah, I guess. But damn, look at how much DIY I’m already not able to deal with. Having someone to help me, to not go through these mornings of Googling and trying to piece information together, to have someone to go to answer my questions, someone I wouldn’t feel like I was imposing on…that sounds pretty freakin’ good right now.

Does that make me less indie? I don’t know. I kind of don’t see how, and I kind of don’t care. For me, part of independence is that I get to decide my own crap, not have it decided by the indie purist committee because this isn’t the junior high cafeteria.

Don’t get me wrong, I’m still on the fence. After all, what the hell good does deciding to look into getting an agent do me this morning when I have this big red flag in my inbox needing attention right now? It’s not as though I’ve been approached by an agent. From what I’ve GOOGLED (omg I’m as sick of it as you are) there’s nothing for it but to start the process from scratch, as though I were going trad, with the added interest of trying to make them not see me as damaged indie goods.

Excuse me, what? Okay, let’s just skip that part. So should I add read/learn/practice the query process to my to-do and start the process politely asking, in just the right way, for the privilege of being allowed to audition for the person I’d like to hire to help me out with this? I understand, I really do, that there are reasons why the process is the way it is. But it just seems way backward to me, I don’t know if I want to get into that, and I don’t see it helping me deal with today.

Today I just want school to reopen, my house to magically clean itself, and to sit in the quiet and write my book. Write a book. Simple and straightforward, like it was in the beginning.

Should I be apologizing for the level of whining insanity self-disclosure lately? Does anyone else feel just totally overwhelmed?



Filed under self-publishing

2010 in review: The story of Hush Money

So I need to do the look back at the year thing. I’ve kind of been waiting to see what the end of the year numbers were. When the month rolled over, it seemed like I lost some PubIt sales. They finally showed up again, and then they found a few more stragglers over the next few days. I mean, I realize the report itself is always 2 days behind and you have to add those separately, but mine kept changing after that. This makes me a little nervous about them…

But that’s neither here nor there. It’s been a really big year for me, so I thought I’d try to talk about where I started and where I ended up. Be warned, this post is incredibly long.


Some of you know that, when I started Hush Money, it was after a period of not having seriously written for a lot time. The only thing in my idea file that really interested me was my Talents, but even though I worked some on their stories and new characters showed up all the time, I couldn’t really bring myself to get a real story going. Part of that was a matter of motivation. Even if I finished one book of the Talent Chronicles, the idea of shopping it didn’t appeal to me, for a lot of reasons. I thought about, maybe, just starting to write it myself and putting it up on a website somewhere. You know, for fun. But writing is pretty emotional for me. I love creating this stuff, but most days…it is not fun. That idea wasn’t motivation enough.

Act 1: The world before

But Kait, my writing buddy and best friend going on, what, four years now? kept after me. Because of her, part of my mind was always in the writing world. She’d send me articles, talk about writing and bookish topics, and of course we worked a lot on her various writing projects.

And then, of course, there were books. I’d run of out room for books, had to feel guilty about any new book I brought into the house, but ebooks bought me back to book-buying and collecting big-time. I found myself getting passionately pissed off about availability issues, format incompatibilities, and DRM, and did a lot of reading and research on ebooks. Part of that was reading some of the stuff that Konrath was saying about ebooks vs. paperback; ebooks, DRM, and piracy; and then he was talking about his ventures in self-publishing.

Which was really interesting because Kait’s friend Zoe was also self-publishing. I was one who thought self-publishing was great for niche-markets and how-to books, I’ve got a bunch of self-pubbed how-tos, but I had been less than impressed with some of the fiction I’d read, and my opinion had been pretty negative. However, the more I read about it from the writer’s perspective, the more I started to think about it the same way I thought about crafting.

I’d had a good run selling intricate and pricey items on Etsy, and I was burnt out on that. But for a while there, I’d been having a blast, being creative and having my work sought after and appreciated. (I really thrive on that shit, but who doesn’t?) Etsy took crafting for money to a whole different level. It no longer mattered if there was a market for what I wanted to make in the place I live. I wasn’t going to have to try to make a bunch of inventory to try to sell batches to local shops or try to do shows to reach more customers. I could just do what I wanted, at my own pace, in my own home, and reach that niche of customers around the world who were interested. Freakin’ awesome.

I started to see indie publishing as the exact same thing. And, for the first time in a long time, I started to get excited about the idea of writing a novel.

Kait decided she was going to go ahead and do it. I was totally encouraging because, hey, she’s good at learning all the stuff, and if it went well, I could totally benefit from her knowledge later. Kait published Foraken by Shadow at the end of March. And people bought it. With money! And it was freakin’ awesome.

I really wanted to do it too.

Act 2: Into the story world

I got my outline together. I’d been studying story structure via Larry Brooks’ Storyfix blog, and suddenly, planning a story from beginning to end seemed so much easier! In fact, all the writing books and articles I’d been reading over the last few years seemed to be coming together in my head, like everything was just there waiting for me to get started.

I had a startlingly positive attitude going into Hush Money, that if I would just sit down to do the work, of course the words would come. Words had never been a problem for me, unless it was having too many of them. I was going to start the book, I was going to finish it. I was going to make it good, and then I was going to see what I could do with it.

But I was up against a ticking clock. It was already May, after all, and there weren’t that many more days of school. Soon my daughter would be with me to destroy any hope of concentration or immersion in character and world. I had get moving.

I wrote the first draft of Hush Money in 30 days. That last week or so, school was out, but Vacation Bible School filled the gap. When I might have gotten scared of the end and stuck in a slump, I pushed forward, knowing I only had a few hours a day for one, more, week. I would drop her off at the church, rush home, write like a maniac. Then go pick her up, go to McDonald’s, wolf down a double cheeseburger and write at least another one or two thousand words while she played on the playland with other kids.

After that week, I was almost at the end. I wrote the last several scenes in one day. I asked my mom to have my daughter over to play so that I could work on getting my first draft finished before my upcoming visit to Kait’s house. I wrote thousands of words that day.

I’m still very happy with the way the book ends, but the biggest criticism of the story is that the ending is somewhat abrupt. Maybe I was just exhausted.

Act 3: In which the Wanderer becomes a Warrior

Well, I’m not sure Susan as a protag will ever be considered a warrior, but certainly there was a lot of self-doubt to be overcome. I had to get 11 beta readers with overwhelmingly positive responses on Hush Money, before I started to believe that it was good enough to put a price tag on it.

I was editing a manuscript, something I’d never really done before. I’d finished a few things, but nothing I’d ever loved enough to want to make it better. And I was learning about formatting and all the other stuff that goes into publishing an ebook.

During this time, I’d finally hooked up with Zoe Winters one-on-one instead of going through Kait. It was fun and exciting to talk to her. She was in the crazy period of having released Claimed and Mated and having incredible success with those. Kait was having record sales of Forsaken by Shadow. Evenings would go by, with both of them in separate chat windows, both of them giving me their stats, rankings by the hour, in stereo.

And I was waiting for Hush Money to return from 11 betas and feeling absolutely desperate to join this party. By the time I had to leave my original cover artist and hire a new one at the end of July, I was crazy obsessed with getting my work out there to see how it would do.

Act 4: The exciting climax sequence

Finally, at the beginning of August, I was finally ready to get this thing out there! I uploaded on August 2nd, and the book started to go live all that week. First on Smashwords on the 3rd, then I think the Amazon listing started show up on 4th, with a buy button by the 5th.

And then commenced the crazy. I had to start doing that which I had dreaded. Marketing. I had to go back to blogging. I had to active on Twitter. I had to try to learn Facebook. And it was hard to find the time for all that because I had to check my stats EVERY. FREAKIN’. HOUR.

The week after Hush Money was released, I went to Disney World. While I was there, Kait sent me a text to let me know I’d made my first Amazon bestseller chart.

I had to check out Goodreads. I did the ebook giveaway event there, got great response, and had people reading my book.

In August, I “sold” a total of 113 copies.

36 of those I gave away.

I was also very busy researching print-on-demand and trying to figure out the best method for doing that for my non-existent budget and attention span. I chose Createspace. The print version of Hush Money was released on September 24th.

Hush Money was finally finished, I was getting started on Heroes ‘Til Curfew, and by the time the second month was over, I’d sold four times what I’d sold in the first month.


Five months later, I still struggle with making this sequel happen. Just like I’d never liked anything enough to do serious edits (though at least I’d edited for others!), I’d also never tried to write a sequel.

Hush Money continues to do incredibly well. I went into this with no idea what to expect, hoping, perhaps, to reach 1000 copies by this time. I’m astounded to be able to tell you that I was able to reach well over 6000 copies by the end of this year.

I can’t begin to tell you the joy that sharing this story has brought me. I’ve met so many incredible people this year, made so many wonderful friends. At least a few times a week I experience the wonder of finding that someone has taken the time to contact me, by email, or by leaving a comment on my About Me or Talent Chronicles pages, or somewhere else, just to tell me how much they enjoyed Hush Money. I get fan mail! Internationally!! I have been thanked countless times for doing something that I loved doing. And I’ve been damned, numerous times, for the sins of keeping someone up past their bedtime or making them remember how it feels to be a teen.

This will probably be the last time I talk about numbers for a while. Certainly, for me, the subject will always inspire excitement and a measure of awe. In the beginning, I really did believe that sharing these numbers was helpful for those who might be considering indie publishing and might want some ideas what to expect. But sometimes more is just more, and I don’t want to invite negativity into my life by having anyone take my sharing of this information in a different spirit than it’s intended.

What I hope I have managed to express, in this post and in this year, is the profound sense of gratitude I feel for everyone who’s helped me. Toward everyone who has (in no particular order) reviewed the book at a retail site, left a review on Goodreads, talked about it in a forum, voted for it in a poll, tweeted about it, blogged about it, told a friend, written to me, asked me a question about it, longed for the sequel, encouraged me during the many times I get nervous and feel like I’m losing my mind, bought it for someone else, sent me interview questions, and, hey, bought it and read the freakin’ thing.

Thank you all for making 2010 an absolutely amazing year for me.



Filed under Hush Money, Talent Chronicles

Karma points, what should I spend them on?

Ever have points from some promotion or other, and get really uptight over actually spending them? Because you need to find just the perfect, best thing, because it takes a lot of time to save up this many points, and you don’t want to waste them… (This makes me think of games like The Sims and saving up weeks of wages for a new +10 Comfort bed, and then not wanting to spend it because there’s always something else. Thank goodness for the money cheat!)

Does Karma work like that? Or does even asking for stuff negate one’s whole ability to cash in on any mystical positivity they’ve built up because the point of doing good is to do it with no desire or expectation of having it returned? Meh, I guess I’ve more of a Magnificent Obsession mindset.

Anyway, this is called babbling.

I’ve gotten a few of these emails from Goodreads lately, to vote in the Goodreads Choice Awards in various categories. Today was the first time I saw my title in the list of answers in the email, though, in the Debut Author category. I guess my title hasn’t gotten enough votes to actually show up in the covers.

If you really liked Hush Money and it was, by chance, your fave amongst books by debut authors you read this year, I’d love it if you’d go over there and drop me a write-in vote, in the Debut Author category, or in Young Adult Fiction or Fantasy, Cover Art…wherever you think appropriate. Who know what might come of it.

Speaking of Karma, in our last episode I directed you to Andrew Mocete’s blog on which he had posted about some writers in need this holiday season. His most recent post is about the fantastic response he got for that post as a new blogger. So for any of you who went by and checked that out, took steps, promoted those causes in some way, thank you. And it’s not too late to do it now, nor to do it again.

I’m on vacation. My daughter is off from school and will be into the second week of the year. I’m trying to rest up and get rid of some of the serial illness that has bogged me down lately, and generally trying to clear cobwebs for a reboot. I actually read a freakin’ book all the way through, watched all my Netflix discs which included Camp Rock and Letters to Juliet and I’ve been absolutely obsessed with Style Savvy for DS. When did working retail get fun?? I’m completely addicted to this freakin’ thing, and Dominic’s totally interested in me, I can tell.

So…posty things I can think of that are probably coming up:

  • I’m going to be talking about ROW80, my goals for that and how it’s going to completely change my life (or else)
  • Probably going to be giving you my impressions of the first few episodes of Buffy Season Eight, as well as some thoughts on comics in general (No, giving them to you. Not doing impressions. Do I look like I’ve got the energy to start doing impressions?)
  • There will have to be a year-end wrap-up on how this indie author thing has gone (preview because I suck at waiting: I’ve passed 5k copies of my one little title)

Oh, and one more link. Thirteen-year-old Corey of CoreyReads posted a nice review of Hush Money. If that’s your thing, maybe you’d drop by there, compliment his excellent taste, and encourage this next generation book blogger?

I hope you’re all having wonderful holidays. I have to go now and pick out cute clothes for anime girls with way too much money who are ALWAYS polite.



Filed under Laws of the Universe, writing